The harmony between human activity and nature depicted in the painting is unique.

The Greek landscape works so well with the natural flora as they are masterfully infused together by this talented painter.

For Schinkel, the construction of a temple was an achievement, and a symbol of a harmonious community, as his vision of new Athens, post-Turkish domination was characterized by his works.

The View Of The Flower Of Greece – The Story Behind..

The city of Berlin purchased the picture as a wedding gift for princess Luise, the youngest daughter of King Frederich Wilhelm III, for her marriage to Prince Frederik of the Netherlands in May 1825.

Karl Schinkel manifested an idea of a landscape painting on the canvas, in which nature and human activity are in complete accord. The artist depicted a major building project’s socially cohesive effect against the backdrop of an idealized urban Greek landscape; naked Greek heroes erect an iconic temple with a double entryway.

How long has the construction been going on?

A harmonious mix of skill, nature, and creativity

One of the central elements of the painting is the moving of a huge block of marble for the friezes. It was obviously produced elsewhere and now has to find its place to complete the puzzle that seems to be this temple. All of the elements are different, but they blend together so well that they seem like one.

You can’t tell that the friezes are created by several blocks, and only by witnessing the placement of the last one do you realize this is the case.

Seeing all the effort on the faces of the men moving it, you realize that it takes the collective effort of all of them to get it done. What are they thinking right now? What would you think if you were in their situation? Would you have done things differently? These are but some of the questions this scene evokes.

For the artist the construction of a temple was the crowning achievement and a symbol of a harmonious community, of a better world order.

The level of detail in The View Of The Flower Of Greece is impressive.

The lighting effects are astounding. But the thing that leaves the strongest impression is how well the whole scenery blends.

It’s like the Greek city sprung from nature itself and wasn’t man-made.

The landscape creates this very convincing impression. The flow between the hills, the buildings, and the flora is perfect. It’s like it was all a part of a great plan, and the harmony it introduces can be felt in one’s heart.

It doesn’t seem like human activity is harming nature in any way.

On the contrary – it like it’s naturally complementing it. Achieving this level of concord must have been difficult, but Schinkel (and later Ahlborn) have done it masterfully.

The Greek inspiration on the temple wall to the left quotes Aristotle’s song of praise for the virtue of battle and heroic death.

Some of the men working on the construction of the temple are looking toward the warriors returning home – an allusion to the wars of the liberation of Prussia against Napoleon.

The liberation of the Greeks from Ottoman domination also springs to mind, as their struggle was coming to a victorious end when the painting was produced.

The war is over, and soldiers are coming home. Even their presence in the painting speaks of peace, not war.

Several different sculptures are depicted in the painting, one of which can be closely tied to the mythology.

The bull sculpture in the background, for example, can be related to the Cretan bull.

The colors are very vibrant and realistic. They manage to perfectly entice us and transport us into the midst of the scene that has been depicted.

We can feel that the world we’re seeing is living and breathing. It’s not just a simple painting but a detailed explanation of the importance of harmony in our world.

Sadly, the original painting went missing and was later recreated by Wilhelm Ahlborn in 1836.

The recreation has kept a large part of the original’s magic, which is why we can still admire it to this day and gasp at its greatness, but the original will always be the better piece simply because it was the first.

One wouldn’t exaggerate if saying that Schinkel outdid himself. This is truly one of Schinkel’s best works.

When it’s all said and done, you don’t need a description of the painting – The View Of The Flower Of Greece.

You don’t need to think about what it means, what is depicted, or even what the artist meant.

You need to look at it and marvel at the landscape, breathtaking in its beauty and incomparable to anything else.

Probably this is why it can only be classified as one of the top masterpieces as no other word does it justice.

Salute Schinkel!

The post Why View Of The Flower Of Greece Is Truly A Masterpiece? appeared first on The Artist.

Ideally, art comes from the mind in the sense that the artists envision and bring different concepts to life. Therefore, when the term “Impressionism” came into being, it took many by surprise.

For some reason, there were sharp criticisms that queried the relevance of Impressionism in the art industry.

Many decades down the line, it is evident that Impressionism has made tremendous impacts in the art industry. We are to look at the origin and influences made by Impressionism during the time of invention and afterward.

Origin of Impressionism

Impressionism wasn’t a known term or at least widely known in the art industry until the 19th century. At the time, it took a painting by Claude Monet to attract the criticism of Louis Leroy. Claude had made an oil painting in the year 1872, which was meant to show or create the impression of sunrise.

Louis Leroy, who didn’t find it quite thrilling, went on to write an article entitled, “The Exhibition of the Impressionists.” The article, which was meant to criticize Claude’s work and make fun of artists delving into Impressionism, later triggered the inception of the Impressionism movement.

It is essential to point out that Impressionism is a 19th-century art movement that became rife in the 1870s and 1880s. The movement sought to highlight the movement of light as well as the changes in the immediate environment.

As depicted, the characteristics centered on the thin and visible brushstrokes that illustrate the changing qualities of light. It also highlighted the accentuation of the effects of the passage of time. At the base, Impressionism aims to point out the role of art in the present time just as it helps to point out the changes in things as the days go by. check out Top Iconic Works from the Era of Impressionism.

Why Impressionism Was Different When It Was Invented and Explored

Art has many impressions. It can be interpreted in different ways by different people. In the same way, Impressionism makes it easier for people to be in affinity with the realities of life. The influences and changes triggered by Impressionism cannot be underestimated.

Some factors contributed to the adoption of Impressionism into the art industry. Here are some of the reasons why it was different and explored at the time of invention. also  

Here are some of the influences made by Impressionism in art:

1. Violated the Rules of Academic Painting

It is no secret that academic painting or conventional painting models were very much in common before Impressionism came into the game.

At the time, Impressionism changed things by initiating the construction of paintings by using freely brushed colors. Those colors also took precedence over lines and contours.

Hence, they cannot be said to be things that were made up because they had the finesse of art in them.

2. Reinvented Colour Vibration

Worthy of mention is that Impressionism made a corresponding influence on color vibration. Contrary to the conventional painting or side by side brushing of colors, Impressionism now came up with a different outlook to color vibration.

In this instance, the mixture or wave of colors was achieved by using short and broken brushstrokes. The brush strokes comprised pure unmixed and mixed colors, which were neither shaded nor smoothly blended.

3. Capturing of Momentary Sunlight

Claude Monte, the artist that triggered Impressionism, made the debut using an oil painting that depicted sunrise. That also formed part of the basis for the influence caused by Impressionism in that aspect.

Impressionism facilitated the capturing of momentary sunlight, as well as the transient effects of sunlight. It also took it further by initiating the painting of the same outdoors or in a concept famed as en Plein air.

4. Painting of Modern Life Scenes Outdoors

Before the invention of Impressionism, much modern life and realistic scenes were painted in studios. However, the coming of Impressionism initiated the outdoor painting of the same.

It was on that note that still life, portraits, and landscapes were painted outdoors.

5. Avoidance of Black Paint

What works for one may not work for another aptly depicts the difference made by Impressionism. Unlike conventional artworks that made use of black paint, Impressionism avoided it.

Since Impressionism aims to make colors more vivid, it doesn’t make use of black paint. Instead, it makes use of complementary colors to produce dark and grey tones.

6. Boldly Painted Outdoor Paintings

Outdoor paintings, also called en Plein air, had vividly painted shadows, which are decorated with the blue of the sky. The blue of the sky is reflected on the surfaces. Worthy of note is that the blue shadows on the snow inspire the shadows.

That went on to bolster the addition of freshness, which had hitherto not been represented in conventional painting.

7. Softer Edges

Impressionism also facilitated the addition of wet paint into wet paint. This helped to produce more elastic edges and intermingling of colors, which also replaced the wait for successive paint applications to dry.

8. Use of Premixed Paints

While Impressionism was a revolution in the art industry, the addition of Premixed Paints into the plan made it more fascinating. In the middle of the 19th century, there came the introduction of premixed paints.

The paints, which were in tin tubes, made it easier for Impressionists to make more spontaneous paintings, both indoors and outdoors.

The introduction and use of premixed paints replaced the individual mixture of colors by painters.

Conclusion:

Impressionism came into being at a time the art industry was looking for better ways to break even. Amidst the criticisms and the widespread antagonisms that trailed the work of Claude Monte and many other Impressionists, Impressionism still went on to become one of the most used forms of art.

You now know the concept behind Impressionism and the roles it played in the global art industry. The question now is, “Are you ready to become an impressionist?” Let us know in the comment section! [html_block id=”12849″]

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The majority of artworks that Edvard Munch produced, were on the symbolism art style. This can be mainly because of the fact the works of art he manufactured focused entirely on the inner reflections of the subject rather than the external aspects. Symbolist painters believed that artwork should represent a feeling or idea instead of representing the aesthetic world in the target, quasi-scientific way embodied by Realism and Impressionism.

The Dance of Life

The Dance of Life is a painting produced by Edvard Munch in 1899. This painting depicts a woman in three stages all resemble Tulla Larsen while the man in the foreground appears to be Munch. This painting can be viewed at the National Museum of Art, Architecture, and Design, Oslo.

At the Roulette Table in Monte Carlo

At the Roulette Table in Monte Carlo is a painting produced by Edvard Munch in 1892. The artist depicts men and women are crowded around the table and all their concentration is on the game. The subject of this painting is tension and drama around the roulette. This painting can be viewed at Munch Museum, Oslo, Norway.

The scene is depicted so well using numerous colors – for instance the faces in the scene are represented via eyes, mouth, and noses while suggesting the red, green, and beige faces.

Madonna

Madonna is a painting produced by Edvard Munch between 1892 and 1895. This painting depicts a bare-breasted half-length female figure which the artist painted it using oils on canvas. This painting was stolen in 2004 but got recovered in the nest two years.

Anxiety

Anxiety is a painting produced by Edvard Munch in 1894. Another painting named as The Scream painted by Munch is closely related to this famous piece. This painting can be viewed at Munch Museum, Oslo, Norway.

Love and Pain

Love and Pain is a painting produced by Edvard Munch between 1893 and 1895. This painting is also widely called as Vampire but not much by the artist. The artist completed a total of six paintings of the same subject which can be viewed at Munch Museum in Oslo and Gothenburg Museum of Art.

Melancholy

Melancholy is a painting produced by Edvard Munch in 1891. In this painting, the artist depicts a man with his head resting in his hand in a pensive mood at the edge of a shoreline. This painting is currently in a private collection.

Death in the sickroom

Death in the sickroom is a painting produced by Edvard Munch in 1893. The original title given to this painting was Døden i sykeværelset. This painting was famous for this Expressionism style around the world. This painting can be viewed at Munch Museum, Oslo, Norway

Puberty

Puberty is a painting produced by Edvard Munch between 1894 and 1895. The Norwegian artist was widely known for his role in expressionistic art. Puberty has also been done as a lithograph and an etching by Munch. This painting can be viewed at National Gallery, Oslo.

Jealousy

Jealousy is a painting produced by Edvard Munch in 1895. The artist completed around 11 painted versions of Jealousy with first produced in 1895 and the last was made during the 1930s. This painting can be viewed at Bergen Kunstmuseum (Rasmus Meyer’s Collection).

Evening on Karl Johan Street

Evening on Karl Johan Street is a painting produced by Edvard Munch in 1892. The artist produced this painting using oil on canvas around the European period. This painting can be viewed at Rasmus Meyer Collection, Bergen, Norway

Starry Night

Starry Night is a painting produced by Edvard Munch in 1893. In this painting, the artist Munch depicts the view from the hotel window, where he fell in love for the first time. This painting can be viewed at The J. Paul Getty Museum, Los Angeles, CA, USA.

Inger on the Beach

Inger on the Beach is a painting produced by Edvard Munch during the summer of 1889. This painting is a portrait of Munch’s youngest sister Inger. She is depicted sitting in a quiet pose, a straw hat in her hands, on a large granite rock. This painting can be viewed at Kunstmuseum, Bergen.

Consul Christen Sandberg

Consul Christen Sandberg is a painting produced by Edvard Munch in 1901. The subject in this painting was a Norwegian naval officer, businessman, author, and German vice-consul. Munch also painted a smaller portrait of him in 1915. This painting can be viewed at Munch/Stenersen.

Self-Portrait with Burning Cigarette

Self-Portrait with Burning Cigarette is a painting produced by Edvard Munch in 1895. In this painting, the artist depicts himself as a self portrait who is burning a cigarette. This painting can be viewed at National Gallery, Oslo, Norway.

The Girls on the Bridge

The Girls on the Bridge is a painting produced by Edvard Munch in 1901. This painting is widely known as the masterpiece of Munch’s work in expressionism. This painting can be viewed at National Gallery, Oslo, Norway.

Eye in Eye

Eye in Eye is a painting produced by Edvard Munch in 1894. In this painting, the artist depicts two figures, one male and the other female. Both these figures are looking at each other, eye to eye. This painting can be viewed at Munch Museum, Oslo, Norway.

Young woman on the shore

Young woman on the shore is a painting produced by Edvard Munch in 1894. This painting depicts a lonely woman standing on the shore showing her back and it appears to viewers that she is calm and composed. This painting can be viewed at Munch Museum, Oslo, Norway.

Two Women on the Shore

Two Women on the Shore is a painting produced by Edvard Munch in 1898. In this painting, the artist gave loneliness, sex, and death powerful expression. The subject of this painting is similar to another painting Young woman on the shore. This painting can be viewed at Art Institute of Chicago Building

Galloping horse

The Galloping Horse is a painting produced by Edvard Munch between 1910 and 1912. The original title given to this painting was Galopperende hest. It depicts a horse-drawn sleigh speeds down a narrow road with men and women in separation. This painting can be viewed at Munch Museum, Oslo, Norway

Kiss IV

Kiss IV is a painting produced by Edvard Munch in 1902. This painting depicts two figures, male and female who were embrace in a kiss. This painting can be viewed at Munch Museum, Oslo, Norway.

The post 20 Most Famous Paintings by Edvard Munch appeared first on The Artist.

Bathers at Asnieres by Georges Seurat

Bathers at Asnieres is a painting produced by Georges Seurat in 1884. The French painter was only twenty-four years old when he completed Bathers at Asnieres. In this painting, a scene of the riverbank is depicted where bathers come to relax.

Bain a la Grenoullere by Claude Monet

Bain a la Grenoullere is a painting produced by Claude Monet in 1869. Bathers at La Grenouillere is also another painting which is located at the National Gallery in London. The french painter with his friend Renoir sets up easeles at this location during the summer.

Morning on the Seine near Giverny by Claude Monet

Morning on the Seine near Giverny is a painting produced by Claude Monet in 1897. This painting is one of the 17 paintings that Monet created on the same topic. The French painter depicts a scene of the seine near Giverny which is Monet’s hometown.

Claude Monet, The Impressionist Man and An Artist of Nature

Footbridge at Argenteuil by Alfred Sisley

Footbridge at Argenteuil is a painting produced by Alfred Sisley in 1872. Another painting, Pont de l’Europe was similar to this which was painted by Gustave Caillebotte in 1876. This is a landscape painting that captures modern life during the late 19th century.

Daubigny’s Garden by Vincent van Gogh

Daubigny’s Garden is a painting produced by Vincent van Gogh in 1890. This painting was painted three times by the Dutch painter. The first painting shows the portion of the garden and the other two show the entire enclosed garden.

Morphological Echo by Salvador Dali

Morphological Echo is a painting produced by Salvador Dali between 1934 and 1936. There is a second version of this painting which was painted in 1936. In this painting, the Spanish artist has depicted several surrealist images that contains very minimal architectural settings.

 The Surreal World of Salvador Dali

The Enigma of the Hour by Giorgio de Chirico

The Enigma of the Hour is a painting produced by Giorgio de Chirico in 1911. During the 20th century, this painting was one of the most famous works of the Metaphysical period. In this painting, the Italian painter has depicted an urban environment.

Rooms By The Sea by Edward Hopper

Rooms By The Sea is a painting produced by Edward Hopper in 1951. This painting was painted on a very large canvas and regarded as the greatest works of the American painter. The scene created in this painting depicts looking towards the ocean on a sunny day.

Dar-es-Salaam by Jacobus Hendrik Pierneef

Dar-es-Salaam is a painting produced by Jacobus Hendrik Pierneef in 1926. There is another painting that goes by the same name Dar-es-Salaam was also painted by Jacobus Hendrik Pierneef. This is a landscape painting and artist sign is inscribed on the reverse of this painting.

Hardkoolbome – Bosveld by Jacobus Hendrik Pierneef

Hardkoolbome – Bosveld is a painting produced by Jacobus Hendrik Pierneef in 1945. The South African painter hated the English system of artwork which was widely known as the education system of artwork.

Curtain, Jug and Fruit Bowl by Paul Cézanne

Curtain, Jug and Fruit Bowl is a painting produced by Paul Cézanne in 1894. This still life painting is the most expensive painting ever sold and also considered to be the master piece of the Post-Impressionism period.

Der Schrei der Natur (The Scream of Nature) by Edvard Munch

Der Schrei der Natur (The Scream of Nature) is a painting produced by Edvard Munch in 1893. This painting is also famously known by the name “The Scream” or “The Cry”. The individual shown in this painting is anyone who has lost all senses of identity.

Blick in Griechenlands Blüte by Karl Friedrich Schinkel

Blick in Griechenlands Blüte is a painting produced by Karl Friedrich Schinkel in 1825. In this painting, the German artist shows the nature and cultivated human activity are in harmony. This painting can be viewed at Alte Nationalgalerie in Berlin.

The Starry Night by Vincent van Gogh

The Starry Night is a painting produced by Vincent van Gogh in 1889. This painting is one of the most famous works of the Post-Impressionistic period. It is assumed that this painting was painted when the painter was in an asylum and could see the night through the window of his room.

The Grand Canal of Venice by Edouard Manet

The Grand Canal of Venice is a painting produced by Edouard Manet in 1875. Blue Venice is the other name of this painting which is widely known around the world. The painter with his friend James Tissot visited the canal in 1875 and completed the work there.

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Can title-less paintings stand the test of time?

Claude Monet didn’t bother assigning titles to his paintings; he considered himself satisfied with brief descriptions, content to leave it at a terse ”view of the village.”

Dance with critics

Thirsty for clarity, his contemporaries scratched their heads at Monet’s deficiency of titles.

Their absence frustrated Edmond Renoir, brother of the artist Pierre-Auguste Renoir.

How do you solve a problem like Monet?

As Renoir prepared the catalog for the first avant-garde exhibit in 1874, he asked Claude Monet what he should call a painting of a sunrise.

Monet made his snarky comeback: Just call it an impression.

And thus Monet’s painting was recorded as an “Impression, Sunrise.”

Despite some ire, critics joked about its conciseness.

Art critic Louis Leroy offered a scathing critique: “I was just telling myself that, since I was impressed, there had to be some impression in it, and what freedom, what ease of workman ship! Wallpaper in its embryonic state is more finished than that.”

Monet’s contemporaries criticized and mocked his style, alleging he lacked detail and resembled finished paintings. But the artist was unfazed.

Monet embraced his inherent impressionism and the poignant brevity of his art subjects, for it captured his ambition: record an “impression” of an instant in time.

Precocious Prodigy: From the military, to master artist

The son of a shop owner from the French port city of Le Havre, Oscar-Claude Monet occupied his childhood by creating clever caricatures.

Defying social expectations, he quit school at age seventeen, earning a decent living off his drawings, saving 2,000 francs to invest in his artistic career.

At 19, he found himself in Paris, where he spent two years studying before being summoned for military service.

Despite not being academically-inclined, he enlisted in a crack cavalry regiment training in Algeria. But within a year, a bout of typhoid sent him home.

In 1862, Monet was back in Paris, this time at the Academy of Charles Gleyre, a man of traditional painting methods, none of which satisfied Monet’s heart for ingenuity.

So Monet set out to find his own groove. He dedicated himself to en Plein air (“Plein air painting”), conducting his work outdoors in the sunny heat and breezy coolness of nature, and sought to develop his own panache, untethered by Gleyre’s instructional convention.

Though Plein air painting had its risks, Monet learned the hard way when a stray discus injured his leg and left him bedridden.

Claude Monet’s paintings carried this unique personality of reflecting an honest reflection of nature. While engaged in his Paris studies, Monet charmed infatuated female models with his attractive features, well-cut clothes, and fashionable lace cuffs. Naturally, they pined after the artist.

Alas, the artist had different tastes in women.

“Sorry,” Monet told them,

“I only sleep with duchesses or maids.

Preferably duchesses’ maids.

Anything in between turns me right off.”

Seasonal sensibilities

Imagine simple haystacks sitting in a pastoral landscape.

Haystacks were Monet’s muses.

Claude Monet paintings embraced haystacks more than any other components of nature

In autumn 1890, Monet used the haystacks in a local field to encapsulate a motif: the ”envelope” of light and atmosphere.

There are haystacks veiled in pale winter light, haystacks hazed in spring fog, and haystacks shining in summer sunsets. When exhibited in May 1891, the paintings dramatically awed his audience, swept up in Monet’s vision.

Monet would carry multiple canvases, scrawling the time of day on their back.

If he was the imitator—the impressionist—of the feature of the time, like the miasma of dusk and dawn, the blaze of summer sunlight, the decay of leaves in fall, or the lush growth of lawn grass in the spring, then he had to keep track of the day.

The result was 25 finished paintings encompassing time and the rotational wheel of the seasons and stages of a day. These paintings were remembered beyond his death.

With every brushstroke, Monet had transcended time.

Conclusion: An artist of nature

Passionate about documenting the intimate French countryside, Monet painting the same outdoor scenery many times in order to capture the dance of light and the ephemeral passages of the seasons.

In an era before the advent of cameras, he captured nature as it appeared to him at the moment, experimenting with the interchangeable nature of light and shadow.

Despite the accusations of repetitious reproduction of simple visuals, the routine helped Monet discover more than one angle of nature’s light to shine on one image.

Claude Monet’s paintings did not require titles. He let nature in his work speak for itself.

The post Claude Monet, The Impressionist Man and An Artist of Nature appeared first on The Artist.

Impressionism started in France with a group of Paris-based artists and their independent exhibitions made it popular between 1870-1880. Impressionism can be defined within the concept of “What is Art?” as a movement that challenges traditional notions of art by emphasizing subjective perception, capturing fleeting moments, and exploring the sensory experience of the world.

Before this art movement came to being, most works of art were created in a studio. Impressionists changed the norm by breaking the rules and often painting outdoors, thereby taking note of realistic scenes of modern life.

Impressionism encountered a lot of criticism when it first started, though it later gathered a following and led to an analogous movement in music and literature known as impressionist media and impressionist literature.

A Sunday Afternoon On The Island Of La Grande Jatte By Georges Seurat.

This work, painted in 1884 is George Seurat’s most famous work. It is composed of several Parisians at a park on the banks of the river Seine. It is an oil painting as well as a pointillist painting and was inspired by the painter’s observation of the world around him.

It is a clear picture of a typical outing for Parisians at the time. Umbrellas and trees provided the required shade and while facing the river, the people appear to have found an escape from the city life regardless of the activity they’re engaged in.

This work of art which has found its permanent residence at the Art Institute of Chicago, is arguably the most celebrated work of pointillism.

Woman Reading by Edouard Manet

Woman Reading is a painting produced by Edouard Manet in 1879. This painting is located at The Art Institute of Chicago, USA which was reserved by them in 2000. This painting shows a woman sitting in a cafe holding the journal with both of her hands.

Impression Sunrise by Claude Monet

Impression Sunrise is a painting produced by Claude Monet in 1872. This painting is most famous for its portrayal of the harbor and port of Le Havre, the hometown of the French painter. A ship is shown sailing in the sea while the sun is shown with different color contrast. This is one of the most sought-after and famous impressionist paintings

Claude Monet, The Impressionist Man and An Artist of Nature

The Large Bathers by Paul Cézanne

The Large Bathers is a painting produced by Paul Cézanne between 1898 and 1905. This painting is the largest of all the Bather series paintings that the French artist had developed. Other names were given to this painting like Big Bathers to distinguish it from other paintings in the series.

Irises by Vincent van Gogh

Irises is a painting produced by Vincent van Gogh in 1889. The Dutch artist died in 1890 so this painting including other series as well were his last work. It is known that this painting was influenced by Japanese ukiyo-e woodblock prints.

Loving Vincent, A Labor of Love

The Starry Night by Vincent van Gogh

The Starry Night created by Vincent Van Gogh in June 1889 is an oil on canvas painting that fully describes the view of the artist from the east of his asylum room through the window at night. It has its permanent residence at the Museum of Modern Art in New York. It is one of Van Gogh’s most celebrated works, it is surprising seeing that the artist regarded it as a failure. 

Starry Night Over the Rhone by Vincent van Gogh

Starry Night Over the Rhone is a painting produced by Vincent van Gogh in 1888. This painting is regarded as one of the famous works of Vincent. The scene depicts the Aries of nighttime. The Dutch artist painted it on the River Rhone at a spot on the river bank.

Young Woman Sewing in a Garden by Mary Cassat

Young Woman Sewing in a Garden is a painting inproduced by Mary Cassatt in 1886. The American painter is known for including family and friends often women and children and their daily private life into her paintings.

Luncheon of the Boating Party by Pierre Auguste Renoir

Luncheon of the Boating Party is a painting produced by Pierre Auguste Renoir between 1880 and 1881 and remains one of the most famous impressionist paintings ever made. This painting was exhibited at The Seventh Impressionist Exhibition show in 1882 where it was identified as one of the best paintings by three critics.

The Floor Scrapers by Gustave Caillebotte

The Floor Scrapers is a painting produced by Gustave Caillebotte in 1875. The Floor Strippers was the other name given to this painting. The French artist painted this painting in his family home. This painting was the first who show the urban class working in homes.

Paris Street Rainy Day by Gustave Caillebotte

Paris Street Rainy Day is a painting produced by Gustave Caillebotte in 1877.

This one is a large oil painting created in 1877 by Gustave Caillebotte and has been considered to be his best-known work. It shows several people passing through Place de Dublin which was then known as the Carrefour de Moscou. Caillebotte had many friends who had toured the path of impressionism and although this work is classified as an impressionist painting, it stands out due to its realism and dependence on line rather than broad brush strokes.

Observing this piece closely makes it clear that Gustave had an interest in photography, as the pictures in the foreground seem to be ‘out of focus’, and those in the mid-distance have relatively sharp edges while those in the background happen to be progressively distinct.

Olympia by Edouard Manet

Olympia is a painting produced by Edouard Manet in 1863. This painting by the French artist was exhibited exactly two years later at the Paris Salon in 1865. This painting shows a nude woman lying on a bed while a black servant brought flowers for her.

A Bar at the Folies Bergere by Edouard Manet

Another famous impressionist painting  – A bar at the Folies Bergere is a painting produced by Edouard Manet in 1882. This work by the French artist was regarded as the last major work which was exhibited at the Paris Salon in 1882. It depicts a scene of a bar in Paris from the Folies Bergere nightclub.

This painting is considered to be Edouard Manet’s last major work as it was created just a year before he died of syphilis at 51. Painted in 1882, and exhibited at the annual fine arts exhibition that same year. It shows a scene in a nightclub called Folies-Bergere in Paris. The painting was originally a possession of Emmanuel Chabrier, a close friend of Manet but is now a resident at the Courtauld Gallery in London. Manet made several preparatory sketches at the bar, but the final work was painted in his studio. 

Water Lily Pond by Claude Monet

The Water Lily Pond is a painting produced by Claude Monet in 1899 and remains one of the favorite and most famous impressionist paintings. This painting was painted on 18 different canvases by the French painter. The French painter developed many series in his last 30 years and Water Lily Pond was one of them.

The Yellow Christ by Paul Gauguin

The Yellow Christ is a painting produced by Paul Gauguin in 1889. The original French name of this painting was Le Christ jaune which was painted in Pont-Aven. The Green Christ Crucifixion is considered one of the key works of Symbolism.

The Story of Art Prophet Paul Gauguin

A Holiday at Mentone by Charles Conder

A Holiday at Mentone is a painting produced by Charles Conder in 1888. This painting by the Australian artist was exhibited at the Victorian Artists Society Spring in 1888. The scene in this painting depicts a bright and sunny day from a beach in the Melbourne suburb of Mentone.

The Card Players by Paul Cezanne

The Card Players is a painting produced by Paul Cezanne between 1894 and 1895. Five other paintings were created during 1890 and 1895 by the French artist. Provencal peasant’s daily life is shown as they are smoking pipes and playing cards.

This is a series of impressionist paintings by French artist Paul Cezzane. There are five paintings in the series with the paintings varying in size and number of players. The artist took several studies before embarking on creating the card players’ series. It is worthy of note that none of the card players were betting men. One of the paintings was sold to the Royal Family of Qatar and is estimated to have been sold at $ 250 million. It had the highest price ever for painting until 2017. The paintings in the Card Players series do not share a single home and are dispersed all over the world. 

Poppy Fields near Argenteuil by Claude Monet

Poppy Fields near Argenteuil is a painting produced by Claude Monet in 1873. The subject shown in this painting was painted two years earlier by the French artist Poppies near Argenteuil. In this painting, poppies are gently moving in the breeze.

Bathers at Asnieres by Georges Seurat

Bathers at Asnieres is a painting produced by Georges Seurat in 1884. The French painter was only twenty-four years old when he made Bathers at Asnieres. The scene in this painting is four miles from center of the Paris.

The Cradle by Berthe Morisot

The Cradle is a painting produced by Berthe Morisot in 1872. This painting was exhibited at Impressionist exhibition and with this exhibition, Berthe Morisot was the first woman who had exhibited her paintings at Impressionist in 1874.

Where Do We Come From? What Are We? Where Are We Going? by Paul Gauguin

Where Do We Come From? What Are We? Where Are We Going? is a painting produced by Paul Gauguin between 1897 and 1898. The original title of this painting is in French as “D’où Venons Nous / Que Sommes Nous / Où Allons Nous” which is inscribed on the top left corner of this painting. This remains one of the most famous impressionist paintings ever made.

Read > The story of Art Prophet – Paul Gauguin

The Grand Canal of Venice by Edouard Manet

The Grand Canal of Venice is a painting produced by Edouard Manet in 1875. This painting by the French artist is also known by the name Blue Venice. The work in this painting is regarded as the most famous and dashingly Impressionist artwork of Edouard Manet’s life.

Boating by Edouard Manet

Boating is a painting produced by Edouard Manet in 1874. The French painter painted this painting across The Seine at Argenteuil. This painting was exhibited at the Salon in 1879 and Mary Cassatt also made a similar painting named The Boating Party in 1894.

The Luncheon on the Grass by Edouard Manet

This is a painting by French impressionist Pierre Auguste Renoir. It was included in the seventh Impressionist exhibition in 1882 and was recognized as the best painting in the show. The painting captured an atmosphere of merriment, where Renoir and friends shared food, wine, and small talk on a balcony overlooking the Seine at a restaurant in Chatou.

The painting gives a clear picture of how French society changed between the 18th and 19th centuries. It takes permanent residence in the Philips Collection in Washington after being purchased by Duncan Philips. Worthy of note in this painting, are the richness of form, the fluidity of brush strokes, and a flickering light.

A Sunday Afternoon on the Island of La Grande Jatte by Georges Pierre Seurat

A Sunday Afternoon on the Island of La Grande Jatte is a painting produced by Georges Pierre Seurat between 1884 and 1886. It is one of the most famous works of the French painter. This painting is a wonderful example of the pointillist technique which was executed on a large canvas.

Woman with a Parasol by Claude Monet

Woman with a Parasol is one of the famous impressionist paintings by Claude Monet that captures his wife strolling along with their son on a windy summer day, it is a painting of an everyday family scene, it captures a brief moment while he spent some quality time with his family.

It conveys the feeling of a family outing rather than a formal portrait and suggests that it might have been done in a single session spanning several hours and that Monet’s wife and son, interrupted their stroll to enable him to capture the moment.

The effects of the wind and the direction of sunlight cannot be mistaken in this painting. The painting is also referred to as The Stroll and was purchased by Mr. and Mrs. Mellon and was later donated to the National Gallery of Art. 

Conclusion

So you’ve been hearing about the concept of impressionism and have had no idea about it, I’m sure you know a lot about it now. The aspect of impressionist art promises so much fun and creativity while allowing you to relate to everyday scenes and occurrences. The only thing you have to do is to take note of color schemes and the usage of lines and lightning as well. If you’ve been trying to delve into this area, now is the time.

It is difficult to list down a specific set of famous impressionist paintings, but these works are the most loved ones by people from around the world.

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Do you want to read 15 Most Famous Paintings by Claude Monet?

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Claude Monet, The Impressionist Man and An Artist of Nature

Impression Sunrise

Impression Sunrise is a painting produced by Claude Monet in 1872. This is one of the most famous paintings of the harbor as it depicts the French painter hometown. The clouds are colored similar to the contrast of the son with orange, blue and violet color.

The Water Lily Pond

The Water Lily Pond is a painting produced by Claude Monet in 1899. This is one of the largest series of paintings which the French painter painted with 18 different canvases. From 1897 to 1926, Monet painted many series of painting in his last 30 years among which include Seine at giverny and Water lily pond.

Poppy fields near Argenteuil

Poppy fields near Argenteuil is a painting produced by Claude Monet in 1873. Poppies near Argenteuil was painted exactly two years before this painting which included the subjects shown in this painting. Here, a vivid splash of poppies, gently moving in the fields is shown.

Morning on the Seine near Giverny

Morning on the Seine near Giverny is a painting produced by Claude Monet in 1897. Monet created other 17 paintings of the same topic. The scene shown in this painting is from Monet’s hometown which shows the seine river.

Boating

Boating is a painting produced by Claude Monet in 1874. This painting was painted across the Seine at Argenteuil. There were other artist like Manet and Renoir and they also spent time at the same place. Boating is also regarded as the famous work of Monet

Bain a la Grenoullere

Bain a la Grenoullere is a painting produced by Claude Monet in 1869. Bathers at La Grenouillere is another painting which is similar to this and can be viewed at National Gallery of London. The French painter had dreamed about this painting and with his friend Renoir painted this during summers.

Haystacks

Haystacks is a painting produced by Claude Monet between 1890 and 1891. The name of this painting is common for impressionist paintings by Monet. In these series of paintings, Monet painted wheat, barley and oats as primary subjects.

Garden at Sainte-Adresse

Garden at Sainte-Adresse is a painting produced by Claude Monet in 1867. This painting can be viewed at the Metropolitan Museum of Art in New York. The models in the painting were probably Monet’s father, cousin and her father.

Beach in Pourville

Beach in Pourville is a painting produced by Claude Monet in 1882. Monet painted this while residing at a resort of Pourville-sur-Mer. The french artist is one of the major and important group member of painters who did impressionism.

Woman with a Parasol – Madame Monet and Her Son

Woman with a Parasol – Madame Monet and Her Son is a painting produced by Claude Monet in 1875. This painting is also widely known by the name “The Stroll”. The painting depicts Monet’s wife and their sons when they were living in Argenteuil.

Houses of Parliament

Houses of Parliament is a series of paintings produced by Claude Monet during 1899 and 1901. The French painter painted these while looking from this window when he reside in London. Monet painted these series on a large canvas during different times of the day.

Stormy Sea in Étretat

Stormy Sea in Étretat is a painting produced by Claude Monet in 1883. This painting can be viewd at Musée des Beaux-Arts de Lyon in Lyon. It depicts a stormy sea during winter day time. The dimensions of the paintings are 100 cm × 81 cm.

Camille Monet on a Garden Bench

Camille Monet on a Garden Bench is a painting produced by Claude Monet in 1873. Camille Doncieux is Monet’s wife shown in this painting seating in the garden of the couple’s house at Argenteuil. The dimension of this painting is 60.6 x 80.3 cm.

Jean Monet on His Hobby Horse

Jean Monet on His Hobby Horse is a painting produced by Claude Monet in 1872. This painting can be viewed at Metropolitan Museum of Art. In the summer of 1872, Monet painted his elder son Jean. Jean is shown riding his horse.

Arrival of the Normandy Train

Arrival of the Normandy Train is a painting produced by Claude Monet in 1877. The dimension of the painting is 60.3 x 80.2 cm. The train station shown in this painting is The Gare Saint-Lazare and it was one of the largest and busiest train station in Paris.

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Office at Night

Office at Night is a painting produced by Edward Hopper in 1940. This painting depicts an office occupied by an attractive young woman in a short-sleeved blue dress who is standing at an open file cabinet. This painting can be viewed at Walker Art Center in Minneapolis, Minnesota.

Office in a Small City

Office in a Small City is a painting produced by Edward Hopper in 1953. In this painting, the artist depicts a man sitting in a corner office surveying the landscape outdoors. This painting can be viewed at the Metropolitan Museum of Art in New York City.

House by the Railroad

House by the Railroad is a painting produced by Edward Hopper in 1925. The artist depicts a stately old house in a desolate setting built next to a railway line. This painting can be viewed at the Museum of Modern Art in New York City.

Nighthawks

Nighthawks is a painting produced by Edward Hopper in 1942. Many historians considered Hopper’s most famous work and one of the most recognizable paintings in American art. This painting can be viewed at the Art Institute of Chicago.

Automat

Automat is a painting produced by Edward Hopper in 1927. The subject of this painting depicts a lone woman staring into a cup of coffee in an automat at night. This painting can be viewed at Des Moines Art Center in Iowa.

Chop Suey

Chop Suey is a painting produced by Edward Hopper in 1929. This painting depicts two women in conversation at a restaurant in the foreground of the work. Another painting, The Sunny Side of Life was inspired by this painting. This painting is in a private collection.

Early Sunday Morning

Early Sunday Morning is a painting produced by Edward Hopper in 1930. The artist depicts the small businesses and shops of Seventh Avenue in New York City shortly after sunrise. This painting can be viewed at the Whitney Museum of American Art.

Rooms By The Sea

Rooms By The Sea is a painting produced by Edward Hopper in 1951. The American painter produced this work on a very large canvas and is regarded as one of his greatest works. This painting is owned as a private collection.

Hotel Lobby

Hotel Lobby is a painting produced by Edward Hopper in 1943. It depicts two women and a man in the lobby of a hotel. This painting can be viewed at the Indianapolis Museum of Art in Indianapolis, Indiana, United States.

Girl at a Sewing Machine

Girl at a Sewing Machine is a painting produced by Edward Hopper in 1921. The artist depicts a young girl sitting at a sewing machine facing a window on a beautiful sunny day. This painting can be viewed at Thyssen-Bornemisza Museum, Madrid, Spain.

From Williamsburg Bridge

From Williamsburg Bridge is a painting produced by Edward Hopper in 1928. The subject of this painting is the Williamsburg bridge that connects Brooklyn with Manhattan via the East River and it opened in 1903. The dimension of this painting is 74.6 × 111.1 cm.

Model sitting

Model sitting is a painting produced by Edward Hopper in 1902. The artist depicts a woman who is sitting on a box. It appears that the woman just bathed as she covers herself in a towel. This painting is owned as a private collection.

Tables for Ladies

Tables for Ladies is a painting produced by Edward Hopper in 1930. This painting depicts the outside of the front window of an ordinary restaurant in New York City. The dimension of this painting is 123 x 153 cm.

Lighthouse at Two Lights

Lighthouse at Two Lights is a painting produced by Edward Hopper in 1929. The artist depicts a lighthouse against an open expanse of blue sky which symbolizes a resolute resistance to submit to change or nature. The dimension of this painting is 74.9 x 109.9 cm.

Saltillo Mansion

Saltillo Mansion is a painting produced by Edward Hopper in 1943. The artist stayed at the Guarhado House on Victoria Street and there he painted several watercolors from the hotel roof. The dimension of this painting is 68.9 x 54 cm.

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Humans are creatures of habit and routine. We often miss seeing the average, everyday things that surround us. When we do think outside of our routines, we often think about things we aspire to have and not the things that we do have.

Gratitude implies a subtle awareness and appreciation of our precious existence.

When we appreciate the things that art points out to us we are kinder to ourselves and to others. It is small, but those daily errands of daily life help us to reflect the quality of essential, personal, community and social values.

Reynier Llanes, a recognized artist for displaying his culture, heritage and educational background in his artworks, has recently opened his new work “MARBLE TRACE”, which explains his experience of agrarian life that provided him a sense of s opportunity to unobtrusively observe daily functions of others as we all work, love, and belonging.

The quality of his paintings is a result of his participation in important exhibitions where he gained numerous prizes, nominations and fame across the country and internationally. His work is appreciated through his drawings, oil paintings, watercolours and his unique coffee paintings on paper.

Llanes has chosen Northwestern State University of Louisiana to host his first solo exhibition of oil painting workshop/lecture. The exhibition’s goal is to be open to the community of Natchitoches. The participation of students of all ages and their community is fundamental in order to have them exposed to art and the creation of it.

This exhibition, will involve a great social/ cultural experience to Northwestern State University and its community. The show will have on display around 25 paintings which includes Llanes’ studies showing cultural heritage, family values, and spirituality.

All the finished works in this series have grown out of numerous sketches and preliminary works in various mediums on paper. Given his academic training, he uses live models as well as plain air techniques to provide a realist base to his explorations of a mythical.

Conceptually, the works have focused increasingly on the dynamics of narrative and the forging of fables and allegories. The intrinsically theatrical compositions have enabled Llanes to witness how new links and symbols have arisen to describe the essence of his work.

[quote_colored name=”” icon_quote=”no”]“I am drawn to rural environments that afford a sense of s opportunity to unobtrusively observe daily functions of others as we all work, love, and belonging. Agrarian life allows me to experience how we work in harmony with the mysterious and changing fabric of nature. It is the small, but critical tasks of daily life that I find it stimulating and reflective of the quality of essential, personal, community and social values.”[/quote_colored] – LLanes says

In 201 1 Llanes was awarded a “first purchase award” for a work now in the art collection of the city of Charleston, South Carolina. His art is on permanent exhibition in the museum collection of, FL Denver Art Museum – Denver, CO. He is also in the collection of the Snite Museum of Art in South Bend, Indiana and the Cornell Fine Arts Museum at Rollins College in Winter Park, Florida, The Polk Museum of Art, FL; and others.

The meaning of life, at its simplest? Celebrate it. Llanes’s work documented the essence of celebration very well.

Taking your time to mindfully observe artwork can be of true value to your emotional well-being. In viewing art, our perceptions change and grow, leading to growth and change in ourselves. And helps us to become more aware and grateful.

In viewing art, our perceptions change and grow, leading to growth and change in ourselves. And helps us to become more aware and grateful.

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Introducing you a couple of creative works, mostly watercolor paintings, produced by modern age painters that truly celebrate the power of colour and form. The talent of these millennial artists is undeniable, and the power of their imagination is truly awesome.

Below are top ten reasons, why you must choose right colour combinations to tell your story effectively through your paintings and illustrations

Colours embrace warmth

In Tokyo Storefront Series by Mateusz Urbanowicz, the artist introduces an interesting series of shops located in Tokyo district. Traditional Japanese elements combined with warm and blue undertones contrast nicely with the cooler leafy greens.

Colours create precision

Elena Limkina, a specialist in botanical drawings, produced this series – Portraits of Birds – in 2016. Adore the clever colour choices and subtle gradients, which in fact helped to create a fascinating precision for this watercolor series

Colours bring harmony

In Cityscape series by Matt Carlson, the overall composition looks flawless, and you experience a greater harmony between the diverse shapes and structures, and delivers a candid representation of the subject architecture to the observer

Colours elicit drama

Maja Wronska captured the essence of this moment of nature in an exciting way. Blue is a surprise here, but then the overall color combination creates an outstanding chromatic bias of primary colours to your visual system, which put you into a form visual trance.

Colours simplify complexity

Colours often comprehend complex subjects in a simple way. In Havanna series by  Moris Wipperman, you notice brilliant use of striking gradients for detailing the ruffle nature of this subject which makes this painting series quite attractive (and my favourite)

Colours augment curiosity

Curiosity is the wick in the candle of learning. Great art always welcome you to a world of wonder, fascination and reflection. In the work -Town of trees Made by Machine by Toshiya Shirotani, you experience a note of curiosity to what the artist intended to explain.

The metallic tree root and trunks draw viewer’s attention. Colour combinations are cleverly executed. The elements of machine and nature are rightfully composed, and this creates ample curiosity in the eyes of beholder

Colours amplify symbolism

Flower is always symbolic in sending messages to the viewer. Red roses are given to sweethearts, yellow flowers are given to appreciate someone,  purple tulips are given to represent companionship and so forth.  Flower Pattern by Natalia Tyulkina embodies an abstract view of a boutonniere pattern, without losing the warmth and vibrant aspects of nature.

Colours add delight

Shades of gold and red are always considered majestical, and also represents wealth and power. Ira Carela‘s baker street series brings all the sophistication and discipline of baking process in a delightful way.

Colours promote realism

Denver & Salt Lake Railroad passenger train by Howard L Fogg is a classic example of how colours are used to bring realistic flavours to the artwork. Artists usually apply a lot of exaggeration to exhibit the power and drama of a locomotive, but Hogg has cleverly used the shades of blue, grey and white to keep the subject real and vibrant.

Colours create rhythm

Portraits are arduous to create. A very refreshing series, in which the personality, attitude and unique mannerisms of these personalities are very well captured by Alexander Dzinvel.

The magic these artists produced with pen, paint and colour is a wonder to be reckoned with.  They are not shy of colour and used it to bring their ideas and themes to life in a most brilliant and astonishing manner.  And, their love for colour and courage to create powerful art brings us some delightful moments to cherish, and to be inspired.

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• Infographics: Art As Therapy, Helping to Reflect on our Psychological Frailties
• The Subject of Pregnant Women in Art – Hope II by Gustav Klimt

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